Editing Software used for my Short Film

Editing the Audio

• The audio began with me working with Craig to make sure that the entire narration was perfect for how we wanted it. This took a couple of recordings as there were certain things we both didn't like with the original; for example some parts he spoke without enough enthusiasm and it meant that the joke wasn't delivered as well as it could have been. As Craig lives right near Heathrow, this meant that we had to record the audio after midnight when the planes had stopped flying.

• Then, by using WavePad Sound Editor, I was able to remove any unwanted sounds, such as breathing, coughing, unwanted crackle etc. I then cut up the audio into a few different sections, to distinguish each scene or shot.

• After finding suitable copy-right free music, most of which came from Kevin MacLeod (The ones I used were 'The Devil Rides Tonight' (Which I used for the main title and the montage scene), 'I Knew That Guy' (Which was used for the section where Mallow was in his office alone for the beginning), and 'Black Stockings' (Which was used for Lotta's theme.)) These songs were also cut to size within the edit. I also used 'We're in the Money-The Gold Diggers Song' from the movie 'Top Hat', however I adjusted the speed and pitch to make it more comical, as well as only using a small section of it.

• I then had to find suitable sound effects. The Diagetic Sound Effects had to be sourced, edited, and slotted in to match the footage. These included a DC3 propeller plane, which had to appear to be coming closer, louder, then moving away as it circled the globe of the One Rehearsal Ident  sequence. Then there was the electrical short of the "neon sign with a nervous tick", which was a single, short spark sound effect, with I copied and arithmetically looped, to form the continuous sound throughout the office sections.  This had to rise in volume when Mallow, the camera, and the audience's ear, were closer to the window. Then there was the creaking wooden door, which similarly had to be louder when Lotta opened the door, as the camera was closer, than it was when she closed it during the two-shot. There were also various sound effects like a match being struck and the sound of Marshal's leg hitting the chest of drawers which were added in as the footage looked bare without it. Finally, there was the freight train sound, with added doppler effect, and the specific sound of a gun being fired. All of the sound effects in the entire film were added in.

• MixPad to mix the various clips and create the complete soundtrack - tracks including the Voice Over, Main Theme Music, Incidental Music, Foreground Sound Effects, Ambient Background Sound Effects, and the In-Camera Recorded Dialogue. All of these specific effects had to be precisely placed, and balanced for sound in with all of the other layers, so as to be audible, without overshadowing anything important.

• The Background Ambient Sound Effects Track was dedicated to the sound of traffic outside Mallow's office.  For this, I had to source the sounds of a variety of different car horns and engines from the era (1930s/1940s), together with police sirens, trams, bicycles, and  such like, and layer them to create a realistic soundscape.  No two vehicles are repeated, yet the sound runs throughout. Like the neon sign, the traffic ambiance has to rise in volume when Mallow is at the window, and also when his office door is open.

• Finally, the dialogue, recorded on the camera mic, had to be extracted, run through WavePad to convert it to mono and add the 'old fashioned' sound, then dropped into this soundtrack as the final track of the five, but precisely, so that the background music of Lotta's Theme exactly matched that playing was already playing as a separate track, so that the later could be faded out without any noticeable jump in the sound.

• From here, all I had to do was to match the audio file with the video. However, while editing the footage I noticed that the transition the dialogue in each shot would sound odd; and sometimes the dialogue would over lap when I was trying to make the audio continue from one clip to another; so in Adobe Premier Pro I used the 'Constant Gain' tool to make the transition a lot smoother as this made the audio fade seamlessly over each other. After this, the error was almost completely unnoticeable. 

Editing the Visuals

• Editing the visuals was a much easier process after I had the soundtrack. As the camera's mic was only needed for the dialogue scene, most of the filming was done in a music video-esque style. What I mean by this is that we played the audio out loud while filming so that the actors knew what to do at certain points. This made it incredibly easy for me to match the footage to the soundtrack as the actors were perfect in keeping in time with the soundtrack, so all I had to do was listen to the soundtrack left on the footage and put the footage inline with the actual soundtrack. Of course, this did not flow perfectly, but it did make the editing process significantly easier. 

• I used Adobe Premier Pro to edit the visuals for my video. As I filmed my movie in 'mono' and created the effects myself by lowering the amount of light the camera picked up on the actual Canon EOS 550D, I did not have to add any effects to make the film look Film Noir in post-production. 

• I used the 'Cross Dissolve' effect to fade the 'One Rehearsal Pictures' Ident in and out at the beginning from black, to black again. This helped to replicate and parody the 30's 'Universal Pictures' Ident. I also used this to fade between shot 3.1 and shot 3.2; the shot of Marshal Mallow lighting the cigarette and the shot of him knocking his knee against the chest of drawers. I did this for two reasons. 1) Fading is a very conventional method used in Film Noir so I felt that it was necessary for me to use it at least one during the actual footage rather than just the film's ident, and 2) shot 3.1 is significantly darker than shot 3.2 so to have it immediately cut from one to the other didn't look right, and was, to me, a clear movie error. 

• I used the 'Luma Waveform' to make the sure that the black surrounding the Globe in the 'One Rehearsal Pictures' ident was completely black as before the background was ever so slightly noticeable. I also did this to make the parts of the walls of the alley that, Lotta was walking down, that the light didn't touch darker, and the parts that the light did touch lighter. This made the contrast of light and dark greater, and conventionally Film Noir. This also lit up the rain more and made it more clear; light shining on the rain is also very conventionally Film Noir. 

• I used the 'Brightness and Contrast' tool to make the opening sequence darker, as before hand it was noticeable that I filmed a screen. I also did this to make the shot of Mallow running through the tunnel, in the Montage sequence, darker as this made emphasised the shadows greatly, making it a lot more conventionally Film Noir. 

• Finally, there were many shots where I had to change the speed of the footage. The obvious one is the sped up shot of Mallow tidying his office, but I also had to change the speed of footage at various other points. For example, in the scene where Mallow is describing the way Lotta's looks, the camera zooms into her eyes when the narrator (Mallow) says "Her eyes were the kind of green that would make envy jealous..." the actress looks up towards the camera as the word "eyes" are said, as well as lifting up her eyebrows when the word "money" is mentioned. However despite the timing of this matching perfectly with the audio, the actress reacts by opening her mouth in shock before the narrator says "As for her breasts". I got around this issue by cutting the footage into two halves, the first half was from the beginning of Mallow's description of Lotta's appearance up until the description of her lips, and the second was from the end of the descriptions of her lips up until the end of the description of her breasts. For the latter, I slowed down the frame rate ever so slightly so that the actress reaction was in time with the audio, but not too much so that it is noticeably slower. The result was unnoticeable as the footage looked the same speed as before, despite the timing now being a few seconds slower.